Thrift Store Art Gallery

Coming on like Balthus, Studzinski plays up the Freudian symbolism of this scene with the long leather boots, the roaring fire, and heart shaped log stand, creating a psychosexual tension when viewed against the impenetrable brick wall. Unlike Balthus, Studzinski left this woman's hands unfinished. Turn over the picture and we learn her name is Diane Grabner.